“Beaming and suave Alfred C. Kemp coolly switches from gladhanding to menacing as the regal Morty.”
AlfredC. Kemp
Stage·TV·Film·Voice
- AEA
- SAG-AFTRA
- 6′2″
- Bass
- Avenue B Talent
Stage·TV·Film·Voice
Photo: Ted Ely
“A regal predator cloaked in benevolence.”
“Alfred C. Kemp strides through the production with the easy confidence of a man accustomed to commanding rooms—and people. As Morty, Kemp’s beaming geniality conceals an undertow of threat; he glides from smooth-talking benefactor to quietly coercive power broker with chilling ease. His transformation is so fluid, so urbane, that one almost misses the moral rot beneath the polish.”
Tony Marinelli, Theatre Beyond Broadway on Uncle Morty in Awake and Sing!, Sea Dog Theater, Off-Broadway
“Beaming and suave Alfred C. Kemp coolly switches from gladhanding to menacing as the regal Morty.”
“Alfred C. Kemp’s Morty is larger than life and convincingly crooked.”
“A hustling conjure man with sinister, clear articulated menace.”
“The silky-voiced Alfred Kemp”
“Nearly stealing the show with his sensitive, unforced performance.”
“The excellent Alfred Kemp”
Dramatic and comedic reels, plus on-camera clips, are on his Actors Access profile.
Watch on Actors AccessSpecial skills: hosting with extensive teleprompter experience, voiceover, green screen, improvisation, soccer, tennis, comfortable with animals and puppets, modeling. Licensed driver (MA). U.S. passport.

From Chicago’s great ensemble stages to Off-Broadway and network television.
Alfred C. Kemp is a New York stage, television, film and voice actor and a member of Actors’ Equity and SAG-AFTRA. He most recently played Uncle Morty in the Off-Broadway 90th anniversary revival of Clifford Odets’s Awake and Sing! at Sea Dog Theater, directed by Erwin Maas. On screen he has appeared on NBC’s Law & Order: Organized Crime and as the lead in Libe Barer’s film Revelation, and he is a series regular on the Indie Series Award–nominated audio drama Visionaries.
Much of his stage work has been in Chicago, at Steppenwolf, the Goodman, TimeLine, Chicago Shakespeare and Chicago Dramatists, along with seasons at American Players Theatre. His Guy Jacobs in Blues for an Alabama Sky earned a Jeff Award, and he shared a Helen Hayes nomination with the ensemble of The Bluest Eye in Washington, D.C. He trained at Northwestern University and continues on-camera training with Casting Director Risa Bramon Garcia at BGB Studios and in weekly on-camera coaching with actor David DeSantos.